The doorknob was warm. She turned it, and the door swung in on the front hall and the row of shoes on the mat. The air inside was hotter than the air outside.
She could have gone. The bike was against the garage wall. Cedar Mesa was twenty minutes away on Baseline. Somewhere there was a blue Ford in a driveway, and Shirley had told her to take it. Rachel stood on the threshold and knew all of that. She stepped in and closed the door behind her, carefully, so it wouldn't slam.
In the living room the ballgame was on with the sound off. A man in a gray uniform rounded third base, and a whole stadium stood up without making any noise. The recliner was empty. The house smelled of the pot roast from dinner, onions gone stale in the heat. On the runner, a few feet short of the kitchen doorway, lay a piece of china the size of a quarter. It had a thin blue rim.
Seven, she thought.
The kitchen light was hard and white after the dark outside. Mom stood at the sink with her back to the room and both hands flat on the counter. The faucet was running, and nobody was using it. The rest of the plate lay across the tile between the stove and the table, big pieces and small pieces and a fine white grit, and through the open window came the tick of the sprinklers on the lawn.
Brent sat at the kitchen table with a can of beer he wasn't drinking. When she came in, he looked up with the church face on, the furrowed brow and the seriousness that could mean anything.
"Well. Look who decided to come home."
It was 9:17 by the clock on the microwave.
"Rachel." Mom didn't turn around. "Go on upstairs."
Rachel didn't go upstairs. She stood in the doorway with her backpack on and her hairnet balled up in the pocket of her jeans. She looked at the patch on the wall by the stove, a shade whiter than the rest, and at Mom's back, and at the pieces on the floor, and she thought about the dad in the driveway with his cap on backward and how he'd held the tongs.
"You know what other people do on Sunday night?"
Brent tilted his head.
"They grill. The dad stands there with the tongs, and the kids are in the pool, and the mom yells at them about her flowers. That's it. That's the whole thing." Her voice had gone wrong, too small and too even. She couldn't make it stop. "Kayla Petersen sits on the hood of their car, and her dad says something dumb, and she laughs so loud you can hear it through the window. There's a girl on Baseline who gets to pick between Riverside and San Bernardino. I know exactly what it looks like. I've been watching it my whole life."
The water ran in the sink.
"Nobody at the Petersens' has to wear sunglasses to church."
Brent set the can down. He turned it a quarter turn so the label faced him, the way he lined up the remote on the arm of the recliner.
"Say that again."
"Nobody at the Petersens' has to wear sunglasses to church." It came easier the second time. "Nobody there counts the plates. Grandma gave Mom twelve, now there's seven, I know, I'm the one who sets the table. And the patch by the stove. You think people don't see it? Josh checks the rearview mirror before he breathes. He's ten."
"Rachel." Mom was still facing the window.
Rachel couldn't stop. It had been in there so long that it came out in whatever order it wanted. "Kayla's dad doesn't time her when she rides her bike. The Petersens have a dog. I don't even know its name. You turn the air off in August because of the bill. And you, Mom, you say we don't need anybody like it's something nice. Grandma has a guest room. She's had it the whole time. And at dinner he thanks God for his family, and everybody at church thinks he paid for the sound system because he's nice, everybody, the pastor too." She was crying now, and her voice wasn't small anymore. "And normal dads don't come into—"
That was as far as the words went.
Brent got up.
He crossed the kitchen in three steps. She didn't see the first slap coming. It caught her on the side of the head, and a high whine filled her left ear and shut out the sprinklers. The backpack pulled her off balance, and she went sideways into the doorframe and felt the edge of it in her shoulder blade.
"You done? Huh? You done?"
Over his shoulder she saw Mom turn around at the sink. She held her wet hands up a little in front of her, dripping onto the floor.
He yanked the backpack off her and threw it under the table. Then he took her by the hair at the back of her neck and walked her into the kitchen. Her sneakers skidded on the pieces of plate, and a sliver went through the sole of the left one into her heel. He bent her down and put her face against the wall next to the stove, the first time almost gently, so she could feel the paint and the ridge where the patch met the old wall. Out of the corner of her eye she could see the sink and Mom's hip against the counter.
The second time he put his weight behind it. The sound came from inside her head, a wet crunch like a snail under a shoe, and her nose filled up hot. Then her mouth did too. It tasted of metal. She got a hand up against the wall, and he pulled her back by the hair and put her into it again, and the hand folded under her.
At the edge of what she could see, Mom's hip left the counter. Rachel heard her bare feet on the grit, one step and then a stop. Then more steps, fast.
"Brent. Brent, she's—"
Mom had him by the forearm with both hands. He didn't look at her. He threw his elbow back once, and it caught her in the chest, and she went into the counter and sat down hard on the floor among the pieces of plate.
He let go of Rachel's hair, and she fell. The tile came up and hit her on the cheek, cool and smooth, and she could see the grout lines running away from her eye toward the table legs. She tried to get her knees under her. The first kick went in under her ribs on the right side, and a rib gave. When she tried to breathe in, the breath stopped halfway and wouldn't go farther. The second kick was in the stomach. She threw up on the tile, and what came up was mostly red.
"You want to talk about my family?" He was breathing hard. "In my house?"
He stepped on her hand. She heard the fingers go before she felt them, three small dry snaps, and then she felt them. She made a noise she had never made before. There was a hard little thing loose on her tongue, and she understood it was a tooth and let it slide out onto the floor.
From down there she could see the underside of the table, a Cheerio against a chair leg, and Mom's bare feet by the counter. Mom's toes were curled so hard the knuckles had gone white. Mom was looking at her. Her mouth was open, and nothing was coming out of it.
Brent's heel came down on the side of Rachel's head, and the tile was under it.
Something inside her skull shifted, and the kitchen tipped and slid off to the left, the way Shirley said the Taurus pulled, and she couldn't hold it straight.
The sounds went first. The whine in her ear went out, and after it the water in the sink, and the sprinklers last, tick, tick, farther away each time. Upstairs a door closed. It closed softly, the way Caleb closed doors.
She thought about the tennis sock at the back of the closet, behind the winter coat. There was $1,140 in it. Somebody would find it when they cleaned out the room, and they wouldn't know what it was for. She would have turned eighteen on December eleventh.
She thought about Shirley, who would wake up tomorrow and not remember any of it. Of everyone Rachel knew, Shirley was the lucky one. Shirley got to forget.
The word carried came to her, and she couldn't remember what it had been for.
Hands on her. Somebody turning her onto her back, and her head rolling with it. Brent was on his knees next to her in the broken china. He was crying, his mouth open. He had two fingers against her neck, hunting for a pulse, pressing in the wrong place and then the right one.
"Rach. Come on. Come on, Rach, come on."
She opened her eyes.
The light was different. It was the same light, the same hard white bulb, and all of it was very clear, every grain in the grout, every hair on his wrist. She could see how long he had. It was written on him like a price on a tag, and she read it without trying and didn't wonder how.
Her hand came up off the floor and closed on his wrist. The fingers he had broken closed with the rest.
He looked into her face and made a sound in his throat, and she knew what her eyes looked like by the way he looked at them.
Then the rest of her came.
It came out of her back as easily as breathing out. The shadows under the table and behind the fridge pulled toward her and were hers, and they rose from between her shoulder blades and opened. They were wings. She didn't know why she had kept them folded for so long. Her skin went pale and cold and smooth, and a mist came off her and lay along the floor, and the kitchen went so quiet that the running water made no sound at all. She was standing. She didn't remember getting up. Her feet weren't quite on the tile.
Mom was looking at her from the floor by the sink.
Brent was still on his knees. He was trying to pull his wrist back. She held it.
She closed the wings around him and drew him in against her like a thing that belonged to her.
Where the dark touched him, his skin went gray. It started at the wrist she was holding and at the back of his neck, where the wings lay against him. The gray went yellow, and the veins in his neck stood out black against it, and his face swelled until the skin split over the cheekbones. The smell came up between them, sweet and thick.
He screamed and pulled against her, and it did nothing. His hair came away against the wings in wet clumps. His lips drew back from his teeth, and two of the teeth dropped onto her shoulder. The scream went wet and stopped.
She held on. Under his shirt his body gave way, and something warm soaked through the cotton and ran down her jeans. The hand she was holding lost its shape around the bones, and the wedding ring slid down to the knuckle and hung there. There was a name for what was happening to him, older than English, and she knew it without knowing where from. She held on until he weighed almost nothing.
She opened the wings.
What was left of Brent slid down onto the tile among the pieces of plate. It lay there in his clothes, the Sunday khakis and the blue polo shirt he had worn to church, and the clothes were most of what held it together. The skull showed through at the forehead and the jaw, brown and wet, with patches of scalp left on it. One hand stuck out of a sleeve, all knuckles, with the ring on it. His belt was buckled. Around him a dark pool spread slowly across the tile and into the grout lines, and the broken china stood up out of it. He had his sneakers on.
She stood there a while. The mist lay on the floor. It was very quiet, and she felt no hurry at all.
Her eyes went to Mom.
Mom was sitting against the cupboard under the sink, with her knees pulled up and a piece of the plate in one hand, the edge with the blue rim. Her makeup had run down both cheeks, and the yellow edge around her eye showed through.
The wings went first. They came apart like smoke through an open door, and the shadows slid back under the table and behind the fridge. The cold went out of her skin. Her feet came down on the tile, wet and gritty, and the rest came back with them: her heel where the china had gone through her shoe, the ribs, the fingers, the whole left side of her face. Her knees folded. She sat down hard on the floor a yard from what was left of Brent, and then she lay on her side, because sitting was too much. The dark pool had reached her hip. It was warm. There was blood in her mouth.
Under the table she could see her backpack where he had thrown it.
"Mom."
Mom didn't move. The piece of plate was in her hand. She was looking at Rachel's face, at her eyes, as if she were waiting for them to change again.
"Who are you?"
It was barely a voice. Rachel didn't understand the question.
"It's me, Mom."
It was true. She knew the tennis sock and the plates with the blue rim and the patch on the wall, and the words she had said in the doorway, and her own name. Mom went on looking at her.
Upstairs a door opened. Bare feet came fast along the landing and stopped at the top of the stairs.
"Mom?" It was Josh. "Mom, what was that?"
Mom got up. She put a hand on the counter and pulled herself up in one motion, and she went to the kitchen doorway without looking down and stood in it with one hand on each side of the frame. From the floor Rachel could see her back and her bare heels and the hem of her skirt.
"Go back in your room." Mom's voice was steady. "Both of you. Lock the door. Don't come down until I say."
"Is Rachel—"
"Go."
The feet went back along the landing. A door closed, and the lock turned.
Mom stayed in the doorway. Out on the lawn the sprinklers ticked. Somebody was knocking on the front door, hard, with the side of a fist, and a man's voice said Denise's name, and then Brent's. It was the neighbor from across the street, the one who had complained about the sprinklers.
"I called 911, Denise. You hear me? They're coming."
Mom didn't answer him.
The sirens came up the cul-de-sac a few minutes later, two sets, one after the other. Blue and red went around the walls of the front hall. The front door opened, and there were boots in the hall and a flashlight, and somebody called out, "Police!" An officer stopped behind Mom in the doorway and said something Rachel didn't catch, and then he saw past her into the kitchen. He put his arm over his nose and mouth and swore.
"Ma'am. Ma'am, step back for me. What happened here?"
"He was hitting her." Mom didn't move out of the doorway. "He wouldn't stop."
"Who is that? On the floor. Is that your husband?"
"Yes."
"What happened to him?"
"I don't know." Mom looked at the kitchen and then at the officer. "I don't know what happened to him."
"Is anyone else in the house?"
"My boys. Upstairs. They're in their room."
The officer spoke into the radio on his shoulder, and a second officer went up the stairs two at a time. Rachel heard the second officer knock on the boys' door and say their names, low and slow, the way the aides talked on Magnolia. Mom turned toward the stairs, and the first officer took her by the elbow.
"They're okay, ma'am. He's got them. I need you to stay with me."
He moved her out into the hall, and more people came in. Two of them knelt down by Rachel in the broken china. The one by her head was a woman with her hair pulled back tight and gloves on, and she said her name was Crystal and asked Rachel for hers.
"Rachel Moreno."
"How old are you, Rachel?"
"Seventeen."
Crystal shone a light in one eye and then the other. Rachel looked at her and knew how long Crystal had. It was a long time. The man working on her hand had less, and it was in his chest, and he didn't know yet. She knew it the same way she knew the tile was cold.
The man looked over at Brent once. He didn't reach for him. "He's gone," he said to the officer. "Leave him for the coroner."
Crystal pressed on her feet through the sneakers. "Can you feel this? And this?"
They put a collar around her neck and a splint on her fingers. The officer came back and crouched down at the edge of the pool, as close as he would come.
"Rachel. Did he do this to you?"
"Yes."
He wrote something down. Then he looked at Brent again, and at the pool, and out into the hall, where Mom was standing with her arms folded tight over her chest.
"Ma'am, when did this happen?"
"Just now. Twenty minutes ago."
"That's not possible." He said it quietly, to nobody, and stood up and asked for a sergeant on the radio. One of the other officers had gone over to the sink with his hand out for the faucet.
"Don't touch anything." The first officer didn't look around. "Leave it."
They strapped her to a board and carried her out through the hall. Mom was by the stairs, and her eyes followed Rachel as she went past. The collar held Rachel's head still, and the last thing she saw of the house was the landing and the boys' door, standing open.
Outside, it smelled of wet grass, and the neighbors stood on their lawns in the blue light. Crystal looked back at the house.
"Is her mom riding with us?"
"She stays here," the officer on the porch said. "For now."
They lifted Rachel into the ambulance, and the doors closed.
The ambulance pulled away from the curb.


